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Press: Magdalena Viraga

Magdalena Viraga Pull Quotes

Winner Best Independent Film, Los Angeles Film Critics Association

I have not been so moved by a film since watching Tarkovsky.”

— Radio France Culture

Boldly imaginative—Menkes can hold a shot as long as Antonioni and get away with it—MAGDALENA VIRAGA is a stunner!”

— Los Angeles Times

Is American underground cinema dead? Proof that it is not—MAGDALENA VIRAGA, Nina Menkes’ first feature—sensually existentialist.”

— Liberation

Powerful, extraordinary, Menkes does not compromise in giving form to her disturbing visions.”

— Los Angeles Reader

A dreamlike blend of brothel, prison cell, and baroque cathedral—the bias is metaphysical, menstrual blood transubstantiated into the blood of the lamb.”

— Village Voice

Aspires to a new form of cinema”

— Le Monde

Review of MAGDALENA VIRAGA & THE BLOODY CHILD

David Bax,BATTLESHIP PRETENSION | 2022

Nina Menkes – Magdalena Viraga (1987)

Cinema of the World | 2012

Circling the Thread: Catching Up with Nina Menkes

John Gianvito, Cinema Scope | 2008

The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles (excerpt)

David E. James, The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles | 2005

‘Diamonds’ like dark jewel

Michael R Forrest, Daily Trojan | 1992

Nina Menkes’ ‘Magdalena’ a Stunning Feature Debut

Kevin Thomas, Los Angeles Times | 1991

Intense Emotion Fills 2 Menkes Films

Kevin Thomas, Los Angeles Times | 1991

Difficult Language: Notes on Independent Cinema by Women in the Eighties

Berenice Reynaud, American Museum of the Moving Image Catalog | 1988

Magdalena Viraga: A Red Sea Crossing

David Schwartz, American Museum of the Moving Image
 Program Notes | 1987

Magdalena Viraga

Mary Brennan, Seattle Weekly | 1987

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